Here is the second project that I cherish. The production had similarities to 'Accounts of Historical Figures'. But in this case, we were fully committed to building and continuously repainting the editorial set to match the 'color periods.' Also, we dealt with various kinds of content presented in diverse styles. I was behind the camera once more. The workload was so immense that there was no time left for backstage shooting.

A special mention goes to Ksenia Ampleeva, the director of editing. She worked wonders on this project, making it look and sound authentically impressive.
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